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Philemon and Baucis

© www.espritdescalier.de - Stefan Fix, 2007 T his upright grave relief plate is located in the cemetery of Hamburg Ohlsdorf. It was made in 1938 from limestone. This is a representation of the Roman poet Ovid, by the traditional legend, "Philemon and Baucis."

It is reported that Jupiter 1 and his son Hermes, 2 once in human form on earth came down and visited on the opposite side of the Aegean Sea located Phrygia 3 : "Jupiter came here as a mortal, and with the father / His rod bearing son Mercury without feathers. " 4

There they wanted to put the people's hospitality to the test, since Jupiter was also protector of hospitality and, therefore, Jupiter hospitalis (or Zeus Xenios) said. As a poor and weary travelers dressed up they knocked on the doors of every house and every little big house, but found nowhere Entry: "A thousand Housings come near them, asking for shelter and rest; / thousands of homes sperret the Castle" 5

Finally they came to a hut, which surpassed all previous misery and insisted on their roof of leaves only. To her knock down the door was wide open, however, and a cheerful voice invited the two men walking, "A house receives them, / Though very small, covered with reeds and pipes of the swamp," 6

Although she had to stoop to pass through the low door to, but once arrived inside, they found a comfortable and clean room. A friendly-looking measure was the old couple and two walkers welcome in any activity that began to make it to their guests as comfortable as possible. It turned the old man a bank of the fireplace and asked his guests to make themselves comfortable on it and stretch their tired limbs. Previously, the old woman had spread even a soft blanket on the bench. She introduced herself to strangers as Baucis and Philemon as her husband: "But the honest Baucis and Philemon equal in age, / Both verlebeten where the bloom of youth, and both / antiquities there gradually. Poverty openly confessing / powers they easily bearable with no unwilling mind. / No matter whether you are there, the Lord sought out, or the servant / Zween are all the house, and dieselbigen command and do. / And when the heavenly pair approached the poor dwelling, / And the bent head, the low gate went, / Is it the friendly old man rest upon gestelletem chair, / with the coarse mesh, the diligent Baucis covered. / Then, approached the herd, they churned the lauliche ash / Wakes up yesterday's fire, with leaves and dry bark / Nourishing, and blows out the smoke with gasping breath the flames. / Small Split wood and rice from the bottom gedörretes / she bears down, and zerknickt's, and places it under the Kesselchen. " 7

While she hung a kettle of water on the fire, she said that she lived with her husband since their wedding in this house and they were always happy. They were poor, but happy nonetheless. Just when the water began to boil, the old man came in with a head of cabbage from the garden. Together with a piece of pork, cooked cabbage was now: "Even the man that collected in veg 'in the watered garden / she Scrolls. But those with zweigehörnter gaff / Removes the beräucherten back of a pig from the sooty bar, / Where he saved him long, and cut a piece from the shoulder, / only a few things only, and the average zähmet in the roaring boil. / Both shorten the interim, however, that hour in conversation, / That the delay does not feel the strangers. Near the herd / Marching buchene When the 'at stake with curved handle. / This is filled with water laulichem, empfänget limbs / Bähend. It stands in the middle of the pond piston feathery reeds / soft stuffed a warehouse, the frame and the feet of grazing. / This envelop them now with carpets, which they usually / Only the spread festive day ', but even this / bad and outdated goods, not the unworthy weidenen lichen. / Then rest the gods. " 8

Meanwhile Baucis covered with her ​​trembling old hands to the table: "pursed then Stellet and trembling / Baucis the table, but one of the three table legs were not equal; / Soon the same makes the shard: since under added it to the cusp / healed, jetzo rubbing the flattened verdant mint. " 9 She brought olives, pickled Cornelian, radishes and cheese and some eggs on the table. Even dessert was kept: "The crew are expected then the speckled berry of Pallas. / Also of autumn grain Elle gekläreter preserved in brine; / radish, endive, too, and milk into cheese rounded; / eggs at once, turned cautious in hot ashes: / Everything on irdnem dishes. The molded clay jug / now appears radiantly colorful carved on the table, and buchene cup with ornaments / full, and varnished the cavity with yellow wax. / A few time, because the stove sends the steaming dishes. / Back to relieve the jetzo not very old wines, / That they removed a small, narrow space is not the dessert. / Here is nut, here fig, mixed with wrinkled dates / prunes in small basket ', the larger fragrant apples, / And large-berry grapes collected from purple grapes; / Mid the whitish disk of Honiges, but above all / Invite the cheerful glance , and a heart, not lazy nor kargend. " 10

Philemon made two rickety benches at the table. Cabbage and meat, however, were cooked and were also served. After everything was ready, asked Philemon and Baucis to her guests to leave it to taste. Philemon also brought them more cups of beechwood and an earthenware jug of wine, which had more similarity with vinegar diluted with water and also was. But Philemon was obviously proud and happy to be able to set before his guests anything like that. He saw to it immediately when a cup was empty, refilling. In his bustling hospitality of the old couple was initially not that the wine jug never emptied. No matter how much refilled Philemon, the jar was full. When they were aware of but which then, they changed looks terrible fulfilled, then lowered her eyes and prayed, but quietly. They had recognized that it was not for her guests were normal people: Both see now that, as often as they erschöpfeten always the jug / recovery of itself fills, and the wine grows up voluntarily. / Amazed with fear and dismay, and lifting his hands backwards, / they cry, Baucis at the same time, prayer, and fearful of Philemon. " 11 more>

  1. Greek Zeus [ ]
  2. Greek Mercury [ ]
  3. today's Anatolia [ ]
  4. Ovid: Metamorphoses. Translated by Johann Heinrich Voss. [ ]
  5. ibid [ ]
  6. ibid [ ]
  7. ibid [ ]
  8. ibid [ ]
  9. ibid [ ]
  10. ibid [ ]
  11. ibid [ ]

Tired of driving

© www.espritdescalier.de - Stefan Fix, 2007 T his upright grave stone in the cemetery is located in Hamburg Ohlsdorf. The fact of the represented subject weary traveler or pilgrim leaves of Goethe's "Wanderer's Night Song" thinking:

You who are of heaven / All pain and sorrow stillest, / The one that is doubly wretched / Double fillest with refreshment / Oh! I am weary! / What is all this pain and pleasure? / Sweet peace! / Come, oh come into my breast! 1

Also, another night a traveler by Goethe song comes to mind - namely, "An equal," meaning an equal or more night song is meant:

Over all the peaks / peace is, / In all the treetops / You Hearest / Hardly a breath; silent / The birds in the forest. Only / Waiting! Balde / will rest you, too. 2

  1. Johann Wolfgang Goethe, Wanderer's Night Song. In: German poems. Edited by Hans-Joachim Simm. Frankfurt and Leipzig, 2001, p 342nd [ ]
  2. Johann Wolfgang Goethe, An equal. Ibid. [ ]

Those who live in glass houses zaps (the Second)

© www.espritdescalier.de - Stefan Fix, 2007 D a are the self-appointed media watchdogs of NDR Zapp in their four-week summer break, the time seems opportune to take a small summary of recent months.
Incessantly trying to Zapp, apparently to meet the perceived mission, the apparently clear up for quite immature and dependent citizens held. So you will not tire to get worked into almost any program on any headline in the image as if it could be used to lure someone else behind the stove. At the latest, since an alias Hans Esser Günter Wallraff looked 30 years ago in Hanover image behind the scenes and reported on, actually all know how the system works image in its fundamentals. The paid circulation of the image goes back beyond obviously continuous one , so why this fear mongering? There is also an image blog is where the false representations of the image well documented and placed correctly.

It is, moreover, one of the easiest and most convenient pseudo-intellectual exercises, the image retrieval errors, inconsistencies or similar demonstrated. This is about like trying to prove the NDR every week anew that he should finance themselves through user fees. Ultimately it is the image of Zapp's criticism as to be no further charges of money-financed glass beads gimmick - a self-purposive, vain and fiddling with uninspired cliches. Besides: The intersection of the image-readers and the audience, aimed at Zapp apparently is conceivable small. It thus contributes to their viewers owls to Athens. The image reader, however, are not sooner.

Well, Zapp at least served in a beautiful regularity from the image Blog fundus, which is now to describe not just as research in the strict sense, as Zapp always demands from all other media and himself attached as a quality to her chest. Rather cheap and can be pleasantly uncomplicated fill air time by a film image blog entries. The Picture Blog founder Stefan Niggemeier is evident in his personal blog by the way it clearly unnerved that Zapp regular picture blog entries sometimes even filmed, unless otherwise specified. He called Zapp therefore not exactly unjustified even as an image blog TV. The addition of Niggemeier expressed a clear suspicion that in the course of his films Zapp also stealing ideas from him, and at best only small variations are concerned, can that be when Zapp the difference between copyright and copyleft does not know. Sure, "researched" Zapp but also even in the picture.

Otherwise Zapp often seems as trailer-show for Monitor, Panorama, Report Mainz and at extra3. The researched and produced reports from those programs will be shown in short form by Zapp. At the end of which is pointed out that one can see the full contribution of their colleagues in the broadcasts. Or you can send contributions, which have long since gone elsewhere. This kind of reminds cheaper secondary use arg to the annoying cross-promotion practice of commercial stations. But here is where your own research, for which one is knocking himself so much on the shoulder? Is this the sort of "journalistic deep hole," with the network search eV to award its prize "lighthouse for special journalistic achievements" two -founded? Such kind of thin board drills journalism should Haberbusch Kuno, a board member of the Network Research Association and Zapp editor and self-promotion, according to the "King of the research," but does not allow in their own mission. As for the self-imposed standards of the network, it is possible and even its chairman, Thomas Leif to come under criticism because he is with he postulated importance of separation of PR and journalism, with the correct citation of the intellectual property of others, with the non-manipulative use of facts and research methods themselves with anything but seriously 3 . This is a right back but its so true with Heinrich Heine verse one:

I know the way, I know the text,
I know also the author of Men;
I know they secretly drank wine
And publicly preached water. 4

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  1. of 4,509,545 copies in 1998 to 3,444,977 copies 2007th Source: IVW [ ]
  2. in 2004 [ ]
  3. see the collection of sources on Wikipedia . This sourcebook has since been "cleaned up" conspicuous. That's just Wikipedia. Evil tongues whisper, that it is already that in the article is the Wikipedia articles about themselves "is correct", but this opinion is here condemned as a conspiracy theory. So all the allegations made against Mr. Leif are apparently out of thin air. The rubric "criticism" now takes almost as advertising for the person Leif Thomas and the network of research, enriched with a convenient link to the club. Therefore, here is however on the article "That's Leif" by Jörg Jacoby in "concrete" - issue 3/2006 refer. In the archives of "concrete" is fortunately not everyone rewrite the article to his taste. [ ]
  4. Heine, Heinrich: Germany - A Winter's Tale. Zurich 2005, p.12. [ ]

In the wings of life ...

© www.espritdescalier.de - Stefan Fix, 2007 Elder Similar to the 1913 Hamburg Academy of Fine Arts established, is also the 1927/28 girls' school built quay (now Vocational School Embankment) was added by an artist a kind of motto. Only this was not here in the form of glass art, but by creating a sculpture. Unlike the Hansa College, from which a second place is still the talk, it's not about the mere embodiment of what is in front of building. At Hansa-Kolleg this sculpture symbolizes a reader quite directly, and not above average original. In the former girls' school Embankment is the meaning of the institution was implemented in some abstract art. The viewer is therefore a little more interpretation skills demanded. Much seems to favor the interpretation that is not about the lady bends down to tie the shoes do not exist, but to move into a starting position from which she will best succeed to start. In athletics, the view has prevailed that the crouch start with the help of grants from the starting blocks sprint events and the short-range repulsion of the best. In the girls' school was obtained accordingly to the best start in women's lives. This is a slightly more focused presentation than the Hansa-Kolleg, where it seems less about the After more than to the now. From today's perspective, one could assume that is offered in the vocational school of the best career start. The starting shape suggests to the viewer that here is a short distance or sprint training is offered here, but what can be precipitated from a lack of knowledge of the current training period no judgment.
© www.espritdescalier.de - Stefan Fix, 2007 © www.espritdescalier.de - Stefan Fix, 2007 Was created from the existing limestone 1 "Starterin" the rest of the sculptor Friedrich Wield (* March 15, 1880 in Hamburg - Hamburg, † June 10, 1940), the first chairman of the Hamburg Secession, founded in 1919.

These consisted of 52 members, among whom were also painters, architects and sculptors next. Unlike, for example, founded in 1905 in Dresden, the "bridge" or, founded in 1911 in Munich "Blue Rider", the Hamburg Secession had no fixed agenda. Due to the late establishment of the Hamburg Secession in comparison to similar organizations in Germany (Munich Secession in 1892, the Vienna Secession, 1897, Berlin Secession in 1898), she was no longer marked by the war enthusiasm of many Expressionists. Its members were already cured of her if she had ever been infected by it. However, many plants are well into the twenties, influenced by expressionism. From the mid-twenties, most members had post-Expressionist art, but the style of New Objectivity discovered for themselves. The architects also included in the Hamburg Secession were engaged, manufactures, programmatic approach of her, near the same time, founded in Weimar, "Bauhaus", however, was less systematic than this.

The artistic and political non-conformism of the Secession artists, who spoke at the beginning of the thirties, sometimes in non holener criticism of Representatives of the National Socialists, led to the spring exhibition at the Hamburg Secession in 1933 the first exhibition in Germany was prepared at the instigation of the Nazis was closed by the police (March 30). The justification given by the police authority that:

[...] The exhibits in its overwhelming majority to support cultural Bolshevism are appropriate. 2

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  1. Sieker, Hugo (ed.): Wield sculptors 1880-1940. Hamburg, 1975, p.89. In the illustration on Plate 12, the figure is gray. It thus seems uncertain whether it is in today's figure is still the original. Today's figure is white. It may have been whitewashed. Perhaps it is also a replica. [ ]
  2. Quoted in Weimar, Friederike: the Hamburg Secession 1919-1933. Fischerhude, 2003, page 58 [ ]

Until intoxicating waves of blissful beauty of fall Weltentag

© www.espritdescalier.de - Stefan Fix, 2007

We proclaim to you:
The meaning of the earth's beauty to the body as Graubünden
Dream of being blessed and Traumeslustgebärde to establish in light of the corridor
Love glamor and wealth creation morning flower shapes sounds proportion songs
The need Demant plumage
From the world s crystalline ground silence
parable to ignite shine and mirror earthly visions Allgestalt
and the grief of the eternal nothingness of the bars
is the beauty of sacred violence

We send you:
The meaning of the earth shall burn within you is a new clarity
Sublime beauty imperious gesture ye shall proclaim strictly the dull world
After all was promised:
The eternity ring first ceremony is completed
If the farthest thing and all the worlds of beauty message was sent
Are his messenger!
Traumgeführt umflogen von der Lustgesichte Schwingenschlag
Seid ihm Künder!
Bis in trunkne Wogen schönheitsselig sinkt der Weltentag

© www.espritdescalier.de - Stefan Fix, 2007 Männerskulptur am Gebäude der HFBK So steht es, nicht frei von Umschweife, in den Fenstern des Vestibüls der Hochschule für Bildende Künste Hamburg (HFBK) geschrieben. Der Text flankiert links und rechts die Darstellung einer Frau, die wiederum von der Darstellung zweier Männer umgeben ist. Geschaffen wurden die Fenster von dem österreichischen Graphiker und Maler sowie Mitarbeiter der Wiener Werkstätte Carl Otto Czeschka 1913.
Im gleichen Jahr bezog die Hochschule das von Fritz Schumacher entworfene Gebäude. Nachdem die Schule im Krieg zerbombt worden war, wurde sie 1955 vorbildhaft wiederaufgebaut.
Überlebt haben dabei offenbar die jugendstilhaften Darstellungen einer Frau und eines Mannes aus dem Jahr 1912, die im zur Straße hin gelegenen Innenhof einander gegenüber in die Fassade integriert wurden, so dass sie einander anzublicken scheinen. Darüber hinaus befindet sich die Plastik einer Frau im Vorderhof, die von drei Kindern umgeben ist – zwei Mädchen und einem Jungen. Während die Mädchen Schutz bei der Mutter zu suchen scheinen, ist es fast so, als ob der Junge sich schützend vor seine Mutter stellt.
Skulptur einer Frau mit Kindern auf dem Gelände der HFBK Skulptur Kind auf Pferd auf einem Eckpfosten auf dem Geländer der HFBK Desweiteren befindet sich auf einem Eckpfosten einer Seitenmauer eine Plastik, die aus allen vier Perspektiven das Gleiche darstellt, nämlich einen Knaben auf einem Pferd unter einem Dach aus Rosen. Doch damit nicht genug, die zum Eilbekkanal hin gelegene Fassade ist mit drei weiteren Plastiken bestückt. Diese sind ein märchenhaftes, auf allen Vieren kniendes Pferd mit gelockter Mähne und geblähten Nüstern sowie ein ebenfalls auf allen Vieren kniender Widder, der auch märchenhaft überzogen dargestellt ist. Schließlich befindet sich das Relief einer nackten, von Früchten umgebenen Frau an der Fassade.
Gedenktafel für Professor Friedrich Adler Leider stößt man auch hier wieder auf eine Gedenktafel, auf der man an Naziverbrechen erinnert wird. Die Nazis haben in ihrem menschenverachtenden und völlig hirnlosen Rassenwahn eben auch diese Hochsschule nicht verschont. Das auf der Tafel vermerkte Zitat, das von dem nach Auschwitz verschleppten und dort umgebrachten Professor Friedrich Adler stammt, würde sich im Übrigen, ebenso wie oben zitiertes Gedicht auch hervorragend als Wahlspruch der Hochschule eignen:

unser Leben wäre armselig, wenn uns nicht die Einbildungskraft, die Phantasie eingeboren wäre.

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Friede den Entschlafenen

© www.espritdescalier.de - Stefan Fix, 2007 T he remembers sarcophagus at the last stage of the occupation of Hamburg by Napoleon's troops in the winter of 1813/14. Thousands of citizens of Hamburg, who could not sufficiently demonstrate personal supplies were then expelled from the occupiers of the city. The Frenchman was given the siege of the city by the allied troops of the food before - as hungry civilians had left behind. About a scant six months later the city was liberated by Russian troops, which did not prevent many of the displaced persons were killed. The sarcophagus is located in the grounds of Plants and Flowers in Hamburg. The inscription on the front reads:
PEACE are asleep
At this site REST THE BONES OF eleven hundred EIGHT AND thirty hamburgers WHAT TO MANY THOUSANDS OF YOUR FELLOW OF THE FRENCH Marshal Davoust in the hardest WINTER 1813 UND 1814 from besieged HAMBURG DISTRIBUTED WITH PEOPLE FRIENDLY MILD IN ALTONA TAKEN FROM THE NOBLE RESIDENTS AND OF THEIR PAST IMMIGRANT PEOPLE IN YOUR COUNTRY FULLY SUPPORTS AND LOIN fed, BUT REGARDLESS OF THE VICTIMS WERE their grief and CONTAGIOUS DISEASES
IN 1841, THIS MONUMENT TO PUT THIS APPLIES the bones of Ottershaw.
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For whom the bell tolls ...

© www.espritdescalier.de - Stefan Fix, 2007

Sculpture on the facade of the wholesale meat market in the Hamburg Star Road 106, near Sternschanze (photo montage)

Only one thing I thought not ...

© www.espritdescalier.de - Stefan Fix, 2007

I thought back, I thought her to bring luck to advertise for you,
only one thing I thought not that you die I could.

Thus, the inscription on the grave stone of Karabet Tchilinghiryan (1869-1927) and Erna Tchilinghiryan, born Petersen (1887-1959).
The cemetery located on the Hamburg Ohlsdorf marble sculpture created in 1927 by Richard Kuà ¶ hl, on whose account also the "memorial to the veterans of the 76th Hamburg Infantry Regiment "at Hamburg's St. Stephen's Square.
The burial in the family also buried Carl Tchilinghiryan - probably a son of Karabet Tchilinghiryan - was apparently named after the company Tchibo. The term "Tchibo" is an acronym that is linghiryan from the first syllables of each of the (Armenian) and surname of the noun Tchi Bo teeth composed.

Literature:

  • Leisner, Barbara; Heiko Schulze KL and Ellen Thormann. Hamburg's main cemetery Ohlsdorf. History and monuments. Volumes 1 and 2 Hamburg, 1990.

Aristide Maillol - The River

© www.espritdescalier.de - Stefan Fix, 2007

The French sculptor Aristide Maillol of the in 1939 created sculpture is located next to the Hamburg Kunsthalle on the median strip of bell founders Steintors.

The problem, it is the style ...

The Mirror - writing on the publishing house at night Re: THE MIRROR Nr.10/5.3.07 - p.58-62.
You, Uwe Buse, have undertaken to write an article about a small town in Saxony-Anhalt, is to be created in a laboratory test work for everyone. God knows who was so bold, not just to stop your flow of writing. Her article, he is in fact, ludicrous with all due respect.
It should not be practiced here at the contents of criticism. The fact that Spiegel article are becoming shallower and content-less, it has become accustomed. It must be the habit that makes a commit every Monday and again the stupidity of buying a new edition. No, actually it is the only practical format, under the weeklies since the demise of the "week" has no equal (of Focus, Stern apart like junk, of course). But now that the style sometimes so hard to digest is that you can read some articles only in stages, is now yet another increase.
In your article, Mr. Buse, help yourself now of a very peculiar style of composition. Repeat that is in almost inflationary manner immediately after mentioning the subject of the sentence as a real thing, personal pronoun. The example that it is brought in this sentence shall apply. But for authenticity's sake, here are all original examples are given, which is not excluded that one or the other, has been overlooked due to the volume:

  1. The unemployment rate, it was encased in concrete as ...
  2. What is new, it was a simple idea ...
  3. Annelies Strobel's work, it starts at ten clock ...
  4. Your pension, it is bad ...
  5. The experiment, it has changed ... Bad Schmiedeberg
  6. The unemployment rate, before the start of the experiment in Bad Schmiedeberg, it stood at 15.9 percent, it is now at 6.3 percent ...

What, Mr. Buse, you achieve with it? Repeat the subject, because you are afraid to lose the thread, or else about, because you think you the reader can not follow then? Or maybe you want to prove that you can determine the gender of German nouns? These kinds of oddities or work to a newspaper in the East Frisian in neutral? Reading, it is at least as to what would torment at the last statement, when omitting the personal pronoun "it" wrote: "The experiment has changed BS"? Except, of course, that the sentence is a lot more reader-friendly. From time to time like this stylistic device called prolepsis to emphasize the subject's certainly not without meaning, but not fewer than six times in an article please! The style, it is a reminder of a very second-rate television commentators regional programs where under - probably unconscious - lined the help of this stylistic device is that it has nothing to say. Then we know things like: The Flood, it rises ... the sandbags, they are scarce ... the mission is over. Der Spiegel, he is increasingly unpalatable ...

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